Ambient Guitar Fog
You hear one note. Then the same note returns wearing a larger coat and standing inside an arena.
Four men. One stadium delay pedal. Several decades of unrequested spiritual urgency. This site exists because apparently somebody had to say it on the internet.
You hear one note. Then the same note returns wearing a larger coat and standing inside an arena.
Every chorus appears to be announcing a geopolitical summit that somehow requires a leather jacket.
A speech is beginning. Nobody remembers requesting a speech. Sunglasses remain operational indoors.
You open a music library and briefly remember 2014, when consent became an optional product feature.
A three-minute song now occupies twelve minutes, a runway, a light installation, and the GDP of a small municipality.
It is, statistically, not always a beautiful day. The song remains unconvinced.
The basic sequence is not satire: Apple announced on September 9, 2014 that Songs of Innocence was being gifted to more than half a billion iTunes customers. Six days later, Apple had a dedicated process to remove it from users’ libraries. The editorial characterization below is ours.
THE DROP. Apple and U2 announce the album. It appears in iTunes accounts at enormous scale. Corporate enthusiasm reaches levels normally associated with weather events.
THE ESCAPE HATCH. Apple makes a removal tool/process available after users ask how to get the album out of their libraries. A tiny digital door marked EXIT opens.
“You can like U2. This website can also think that is a baffling administrative error.”
The point is not balance. The point is commitment to the bit. U2 has sold a staggering amount of music and maintained a huge audience. That only makes the existence of this website more necessary, because the opposition deserves infrastructure.
You discover a U2 album in your music library that you did not intentionally add. What is your first reaction?
Possible Bono detected within an unspecified metropolitan radius.
Recommended action: remain calm, decline all surprise albums, and do not engage in stadium-scale moral instruction.